POLITICS: ALL AROUND THERE ARE REMINDERS

Humra Quraishi dwells on two disturbing reports dominating the news - about the demolition of Wakeel Hassan’s home and a...

WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

WHO SOLD MY HOMELAND! WHO PAID THE PRICE!

Humra Quraishi addresses the trauma and abuse that children face in a hate-filled and warring world as Children’s Day on...

XBB1.16 VARIANT– THE NEW SUPER SPREADER

Dr Kishore P Madhwani writes: India, in spite of  acquiring a high coverage of primary COVID vaccination (97%) and its second dose (90%), the precauti...

A CONVERSATION OF PEACE AND HARMONY

Here, Vinta Nanda tells the story of Shabnam Hashmi, one among the millions of people who have, over the last 75 years, built a secular, democr...

Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

Grandma Dearest

Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cin...

Director’s Cut

Film historian, Dhruv Somani, is in conversation with Saawan Kumar Tak, on how he has romanced the box office.

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